The interior sets all have ceilings, an unusual practice at the time for studio filming. This was to create a claustrophobic effect in complete counterpoint to the wide open expanse of Monument Valley.
Stagecoach (1939)

The interior sets all have ceilings, an unusual practice at the time for studio filming. This was to create a claustrophobic effect in complete counterpoint to the wide open expanse of Monument Valley.

Stagecoach (1939)

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    Why? Because John Ford was THAT much of a perfectionist.
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    #Andy Devine #behind the scenes #Claire Trevor #John Carradine #John Ford
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Sometimes it's what we don't see that's important.

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